| Galerie Michael Janssen Berlin: Charif Benhelima - Harlem on my Mind. I am, I was - 5 Feb 2011 to 5 Mar 2011 Current Exhibition | ||||
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W. 148th St., Harlem, from the series Harlem on my mind: I was, I am, 2002 Numerique Prestige Brilliant print behind acrylic glass 180 x 182 cm / 71 x 72 in., 1/5 + 2 Ap. | |||
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| CHARIF BENHELIMA - HARLEM ON MY MIND. I AM, I WAS Galerie Michael Janssen, Berlin February 5 - March 5, 2011 Opening: Friday, February 4, 6 - 9 p.m. On Friday, February 4th, 2011 from 6 to 9 p.m., Galerie Michael Janssen will be presenting for the first time Belgian photographer Charif Benhelima (b. 1967 in Brussels. Lives and works in Antwerp and Rio de Janeiro) with the exhibition Harlem on my Mind. I am, I was. Long before Harlem became one of the trendiest neighborhoods in the real estate market of Manhattan, it was a metaphor for African American culture at its richest. Benhelima�s passion for Jazz as well as his desire to experience African American culture at its source prompted him to move to Harlem, where he lived and worked from 1999 to 2003, undertaking the difficult task of photographing a place that was only known to him through legend and through its music. The title of the project is a reference to the controversial exhibition at the Metropolitan Museum in 1969. The black and white and red photographic series consists of forty-eight images of splattered walls, shadowy figures, dirty streets and battered buildings. Benhelima uses a Polaroid camera because of the immediacy and archival quality of its images. Benhelima comes from the practice of street photography and since 1999 has been experimenting with Polaroid. The artist�s documentary approach gradually gave way to a more unconventional photographic imagery, going from a frontal depiction of a reality to the exploration of reflections, shadows, reproductions of pre-existing photos, monochromatic images and the investigation of abstraction within a figurative context. The Polaroid images are scanned, enlarged and printed in Ilfochrome with no digital manipulation. Benhelima makes use of the limitations of his support (Polaroid 600) to wash out much of what normally would be visible, creating images that seem to be fading or yet to be fully developed, as if they were at the limit of existence and non-existence. The impression of emptiness or the sense of invisibility challenges the viewer�s perception. Benhelima pictures the real in an illusory image in which a strange sense of depth and volume is created; questioning photography and disturbing the experience of space. A bilingual catalogue (English/German) accompanying the exhibition with texts by Daniella G�o, James Harithas and Caryl Phillips is published by Snoeck Verlag. For further information please contact: Fabio Pink, [email protected] Tel: +49 (0)30 259 272 50, Fax: +49 (0)30 25 927 2518 | ||||
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